Related: https://www.tabletmag.com/sections/arts-letters/articles/col...
42 comments
Someone did a lot of work to restore these recordings!
[1] https://manualmachine.com/concertone/tr100/8544644-schematic...
I'm also curious if R22, the thermistor, would have been just for thermal protection, or if it was actually used to set the operating point for the output transistors in normal operation? Would it have switched on loud and angry before the transistors warmed up and the bias point cooled down, the opposite of a tube amp?
What does a bias oscillator do that would help, and is the ips speed slow ie it's a low "resolution" (so to speak) analog recording?
Anyway, rather than call it "low resolution", loss of high-frequencies (low pass) is closer to the mark.
For my taste, his harmonic language tips over the threshold where it goes from being viscerally enjoyable to a more heady, academic exercise. It all feels like a blur to me. Maximal in it’s vocabulary, and yet flat in it’s overall effect. It’s often so dense that it ends up feeling “same-y” and grey to me. Like Schoenberg’s serial music.
Maybe my impression here comes from the fact that by the time I began listening to him in the mid 2000’s an entire school of derivative jazz players had long since developed upon and retroactively made his innovations feel far more common (to no fault of his own). It’s that flavor of jazz where you get the impression that the players are enjoying this way more than the audience. It’s not for me.
If you don't own it you should. Preferably the deluxe edition with his Greensleeves takes.
As far as his sheets of sound stuff, I think Sun Ship is ridiculously underrated and is a bridge between his classic quartet and Pharoah Sanders/free jazz era stuff. Really really good if you've never listened to it.
I love Coltrane - I find the complexity lyrical, like Art Tatum or Django Reinhardt in their respective disciplines - or if you throw back, Liszt, Chopin, the other bloody show-offs who could sing with an instrument. I dunno. It talks to me, but I guess at the end of the day it’s all just taste.
I don't see any other musician creating harmonies as rich as him. Yes, not even Miles Davis, Bill Evans or Tom Jobim (other jazz musicians that I like a lot).
It is surprising how fresh and accessible his music remains today. He never became a top hit, but also never stopped being relevant.
I can't even begin to comprehend how you can't understand that someone can write harmonically rich music.
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