Next time, try a walkthrough from GameFAQs. Printed that bad boy out at school and played into the wee hours when I was a teen. Still my absolute favorite RPG, but I needed all to get all the secrets, all the birthday items, all the unique characters that only existed in so-and-so town after the campaign ended, etc. To this day, all I'd want in a modern RPG is something like Ogre Battle 64, and instead all I get is the SNES/PS1 version (my current copy is the latter, since the SNES yielded me a very nice aftermarket price about a decade ago), which is great, but definitely rougher in comparison.

Nothing since has come close.

A bit of trivia, since the start of the project I ordered the AI agents to produce a handoff for the next agent, so we have the whole timeline for the project as handoff docs: https://github.com/lfarroco/ogre-battle-64-recomp/tree/main/...

It's sad that we even have to think about this. Ogre Battle 64 is 27 years old now. Under the law that preceded the Copyright Act of 1976, it would be entering the public domain right about now.

It's absurd how long we've made copyright terms, and it's really endangering preservation.

More infringing than emulators. De/recompilation projects are pretty clearly 'derivative works' of the original copyrighted program code, even if they require the original ROM in order to extract other assets necessary to compile a fully playable artifact.

The closer analogy would be fan-translation patches, which are also pretty clearly copyright-infringing derivative works though generally tolerated by rights holders.

Companies often encourage (or at least turn a blind eye to) creative derivative works from fan communities, especially if they're non-commercial and aren't cutting into the market share of their own official products enough for them to take notice.

It's basically the same as emulation as long as the recompiled code doesn't get distributed (which this project doesn't do AFAIK). Functionally the only difference between a "recomp" and traditional console emulation is that the assembly code that the CPU runs is translated to C then compiled to native code, rather than being interpreted or JIT compiled at runtime. Traditionally recompilation was mainly used when porting games to platforms where the emulation overhead would have been too much, like if you were making a GBA port of a Sega Genesis game. With these enhanced ports, I guess the idea is that if you're making a game specific "emulator" anyway, you might as well recompile the code and get rid of the overhead of interpretation.

Note that this isn't the same as a "decomp" where the goal is to make readable source code that resembles something that the original developers would have worked with. A "recomp" simply translates the assembly instructions to C. You end up with "assembly code but in C" rather than idiomatic C code.

I'm not aware of legal trouble involving the the Zelda 64 recomp project, which would have a much higher chance of attracting the attention of big N (especially now that a new version of OoT is coming out).

At least in the way that I see it, a recomp is like building your own turntable to play your vinyl records, after stydying their grooves and infering how they would sound (so I guess that it would be less gray than an emulator).

The hardware support is purely a function of the decision of this specific project to only target newer graphics APIs. The Ocarina of Time decomp for example supports older PC hardware through OpenGL and has also been ported to Dreamcast.

https://decomp.dev/ is probably (roughly) what you're looking for.

How long until we have a registry of all N64 titles and the progress to full decomp of the entire library?